Robyn dancing on my own dress full#
While many artists in the current streaming era feel the need to fill their shows with as much as possible (even if it creates an over-cluttering of ideas), Robyn stripped things back to basics, focusing solely on singing and dancing – and it was an approach that worked in her favour.Īn emotionally-charged 19-song show that was full of dance pop anthems – including some of the biggest heartbreak hits of the last decade – she put many of her modern day contemporaries to shame, thanks to some incredible dance routines. Seamlessly moving between the old and new, the summery Ibiza-lite anthems from her eighth album ‘Honey’ fared equally well, creating a sweaty club-like atmosphere as the house beats of ‘Between The Lines’ and ‘Missing U’ energised the audience – many in sparkling jackets – who turned out in force for Robyn’s first London show in eight years. What followed was a throwback to the mid-2000s, as older fan favourites ‘Indestructible’, ‘Hang With Me’ and ‘Be Mine’ fired in quick succession, each reaching fist-pumping, sing-along heights. Though she remained purposefully still throughout opener ‘Send To Robyn Immediately’, as soon as ‘Honey’s pulsating drumbeat and bassline kicked in she began to descend the stairs, slowly opening her eyes and loosening her stance.
Beaming smiles formed an electric atmosphere centred on unity, acceptance and, most importantly, joyfulness, as Kindness’s warm-up set of pop throwbacks – JoJo’s ‘Leave (Get Out)’ and Mariah Carey’s ‘We Belong Together’ elicited singalongs and carefree dancing, setting the tone perfectly for what was to come.Įven before the Swedish superstar arrived onstage, deafening screams echoed around the room – then, Robyn appeared, stood still at the top of the staircase, as pink-hued strobes lit up the stage. He feels like “a lonely lighthouse on a rock in the middle of the sea, as the tides rush and rumble around him.” It is a desperate and prolonged cry of a novel.Real-world worries were left at the door of Alexandra Palace as 10,000 pop fans made their way inside the majestic Grade II-listed building for the long-awaited return of Robyn. He almost ate the pencil with which he tries to make a living as a journalist. He sucks a stone, chews wood shavings, tries an old piece of brown orange peel. When he meets others, he is greeted with indifference. In Hunger, Knut Hamsun’s anonymous narrator marvels through the winter streets of Kristiania (now Oslo), experiencing the terrible isolation of being alone among crowds of people.
Robyn dancing on my own dress series#
Nowhere has this been more evident than in series three episode Fish Out of Water – an almost entirely silent, almost entirely underwater episode that says so much while saying so little. And even BoJack Cavalier was all that and more, its cartoon exterior was just a vessel for a heart-wrenching tale of fading fame, guilt, grief and addiction. If you had said 10 years ago that one of the most moving cultural meditations on loneliness of the 2010s would be an animated series on a horse, you surely would have met some thugs (sorry). Television Why the long face? … A photo of BoJack Horseman.
Pour a drink, play hard and squeeze hard – you deserve it. It laid the foundation for a whole new school of sad pop, but 11 years later no one has made it to the cathartic heights of Dancing on My Own. Watching an ex-partner find new love in the club, the Swedish songwriter finds a bittersweet refuge in the euphoria of dance, weaving a common thread between joy and despair. Don’t accept slow acoustic covers – there aren’t enough Greatest Songs of All Time playlists to adequately contain the magnificence of Robyn’s original hit.